Psychotic Property, Neurotic Garden
Duo Exhibition with Jake Kent at gallery Klemm’s, Berlin
Curated by Marta Santi
08.12.2023 – 27.01.2024
Psychotic Property, Neurotic Garden
Exhibition view
Exhibition view
Claude Eigan
Memory foam (9th & Harrison), 2022
Wood, paint, varnish, metal, foam, fabric, 90 x 140 x 160 cm
Memory foam (9th & Harrison), 2022
Wood, paint, varnish, metal, foam, fabric, 90 x 140 x 160 cm
Psychotic Property, Neurotic Garden
Exhibition view
Exhibition view
Claude Eigan
Sea street lovers, 2022
Cardboard, acrylic resin, primer, paint, varnish, dimensions variable
Sea street lovers, 2022
Cardboard, acrylic resin, primer, paint, varnish, dimensions variable
Claude Eigan
Memory foam (Bonne Nouvelle), 2022
Wood, paint, varnish, metal, foam, fabric, 90 x 140 x 160 cm
Memory foam (Bonne Nouvelle), 2022
Wood, paint, varnish, metal, foam, fabric, 90 x 140 x 160 cm
Jake Kent
Defiant Weeds Smashing up Through Cement (Homage to Dudley Dream, Claude Eigan & CAConrad), 2023
Marker pen on ceramic, found materials, LED, 30 x 45 x 10cm
Defiant Weeds Smashing up Through Cement (Homage to Dudley Dream, Claude Eigan & CAConrad), 2023
Marker pen on ceramic, found materials, LED, 30 x 45 x 10cm
Jake Kent & Claude Eigan
We were full of love when they abolished private property, 2023
Silkscreen print on canvas, 150 x 110 cm
We were full of love when they abolished private property, 2023
Silkscreen print on canvas, 150 x 110 cm
Jake Kent & Claude Eigan
A Tiny House in the Trash Pile, 2022
Silkscreen print on canvas, 190 x 130 cm
A Tiny House in the Trash Pile, 2022
Silkscreen print on canvas, 190 x 130 cm
Jake Kent & Claude Eigan
I Designed this Multi-story Bug Hotel so the Insects Can Live Out their Utopian Dream in Peace, 2023
Silkscreen print on canvas, 150 x 110 cm
I Designed this Multi-story Bug Hotel so the Insects Can Live Out their Utopian Dream in Peace, 2023
Silkscreen print on canvas, 150 x 110 cm
Jake Kent & Claude Eigan
You can cut all the flowers but you can’t keep spring from coming, 2023
Silkscreen print on canvas, 150 x 110 cm
You can cut all the flowers but you can’t keep spring from coming, 2023
Silkscreen print on canvas, 150 x 110 cm
Jake Kent & Claude Eigan
24hr Flower Picking Dyslexic Ass Eaters Against the Criminal Justice System, 2023
Silkscreen print on canvas, 150 x 110 cm
24hr Flower Picking Dyslexic Ass Eaters Against the Criminal Justice System, 2023
Silkscreen print on canvas, 150 x 110 cm
Jake Kent & Claude Eigan
This is the Reality Where Everybody Gets Everything They Want, 2023
Silkscreen print on canvas, 150 x 110 cm
This is the Reality Where Everybody Gets Everything They Want, 2023
Silkscreen print on canvas, 150 x 110 cm
Jake Kent & Claude Eigan
We were full of love when they abolished private property, 2023
Silkscreen print on canvas, 150 x 110 cm
We were full of love when they abolished private property, 2023
Silkscreen print on canvas, 150 x 110 cm
Jake Kent & Claude Eigan
I Designed this Multi-story Bug Hotel so the Insects Can Live Out their Utopian Dream in Peace, 2023
Silkscreen print on canvas, 150 x 110 cm
I Designed this Multi-story Bug Hotel so the Insects Can Live Out their Utopian Dream in Peace, 2023
Silkscreen print on canvas, 150 x 110 cm
Jake Kent & Claude Eigan
You can cut all the flowers but you can’t keep spring from coming, 2023
Silkscreen print on canvas, 150 x 110 cm
You can cut all the flowers but you can’t keep spring from coming, 2023
Silkscreen print on canvas, 150 x 110 cm
Jake Kent & Claude Eigan
24hr Flower Picking Dyslexic Ass Eaters Against the Criminal Justice System, 2023
Silkscreen print on canvas, 150 x 110 cm
24hr Flower Picking Dyslexic Ass Eaters Against the Criminal Justice System, 2023
Silkscreen print on canvas, 150 x 110 cm
Jake Kent & Claude Eigan
This is the Reality Where Everybody Gets Everything They Want, 2023
Silkscreen print on canvas, 150 x 110 cm
This is the Reality Where Everybody Gets Everything They Want, 2023
Silkscreen print on canvas, 150 x 110 cm
Psychotic Property, Neurotic Garden
Curated by Marta Santi
‘Psychotic Property, Neurotic Garden’ is the second double exhibition by Claude Eigan and Jake Kent, curated by Marta Santi at Klemm’s showroom. The show exists as a sequel to ‘CJ’s Place’, a show produced at Gr_und in Berlin in 2021, representing a first meeting point or potential site of community.
‘Psychotic Property, Neurotic Garden’ is an homage to pre-existing and existing subcultural and/or queer spaces, and a reflection on the soft-spots and rupture lines of the communal. The exhibition creates an immersive environment that triggers memory and intimately links the space to its temporality and impermanence. A house facade is built, acting both as ‘physical border’ and as an architectural device that opens the discussion around property, ownership and function.
In embracing the transient, communities find strength and adaptability. Social spaces and sites of community are constantly in survival mode, reflecting the struggles of a community in need to hustle at all hours. ‘Psychotic Property, Neurotic Garden’ is an attempt to redefine the concept of ‘space’ based on the collective memoir of our cultural landscapes — not without a sense of hope in our ability to adapt and create, and putting trust in the potential of resistance.
Curated by Marta Santi
‘Psychotic Property, Neurotic Garden’ is the second double exhibition by Claude Eigan and Jake Kent, curated by Marta Santi at Klemm’s showroom. The show exists as a sequel to ‘CJ’s Place’, a show produced at Gr_und in Berlin in 2021, representing a first meeting point or potential site of community.
‘Psychotic Property, Neurotic Garden’ is an homage to pre-existing and existing subcultural and/or queer spaces, and a reflection on the soft-spots and rupture lines of the communal. The exhibition creates an immersive environment that triggers memory and intimately links the space to its temporality and impermanence. A house facade is built, acting both as ‘physical border’ and as an architectural device that opens the discussion around property, ownership and function.
In embracing the transient, communities find strength and adaptability. Social spaces and sites of community are constantly in survival mode, reflecting the struggles of a community in need to hustle at all hours. ‘Psychotic Property, Neurotic Garden’ is an attempt to redefine the concept of ‘space’ based on the collective memoir of our cultural landscapes — not without a sense of hope in our ability to adapt and create, and putting trust in the potential of resistance.
Claude Eigan (FR) is an artist living and working between Berlin and Marseille. In his practice, Claude Eigan anchors physical places and personal references to objects whose familiar connotations are at times replaced by something strange and potentially hostile. Through gestures of physical confrontation, the visceral materiality of his works opens a gaze on the complexity of bodies and their interconnectedness with the spaces they inhabit.
Jake Kent (UK) is an artist and musician, living and working in Berlin. Working predominantly in ceramics as an individual and on canvas in his multiple ongoing collaborations, Kent produces work that is rooted in the exploration of subcultures and their persistent presence in society. The works are less nostalgic and more centered on the combined and uneven resistance subcultural spaces and underclass people continue to maintain against rampant capitalist-totalitarian domination of all aspects of life.
All documentation by Klemm’s gallery
Jake Kent (UK) is an artist and musician, living and working in Berlin. Working predominantly in ceramics as an individual and on canvas in his multiple ongoing collaborations, Kent produces work that is rooted in the exploration of subcultures and their persistent presence in society. The works are less nostalgic and more centered on the combined and uneven resistance subcultural spaces and underclass people continue to maintain against rampant capitalist-totalitarian domination of all aspects of life.
All documentation by Klemm’s gallery